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Composing with the tape recorder: A case study of My Life in the Bush of Ghosts by Brian Eno & David Byrne
Mid Sweden University, Faculty of Science, Technology and Media, Department of Electronics Design.
2020 (English)Independent thesis Basic level (university diploma), 10 credits / 15 HE creditsStudent thesis
Abstract [en]

This work describes the utilisation of the tape recorder as an instrument, the

methods derived by musique concrète and the evolution of these practices. This

leads on to its application that opened different creativity streams to many

genres of music that we listen to today. This dissertation dives in the further to

talk about to the album ‘My Life in the Bush of Ghosts’ by Brian Eno and David

Byrne its cult status, revolutionary production and opens doors to discussing

cultural appropriation and copyright infringement.

Place, publisher, year, edition, pages
2020. , p. 34
Keywords [en]
tape recorder, music production, composing, sampling, Brian Eno, David Byrne, My Life in the Bush of Ghosts
National Category
Other Engineering and Technologies
Identifiers
URN: urn:nbn:se:miun:diva-38939OAI: oai:DiVA.org:miun-38939DiVA, id: diva2:1425932
Subject / course
Sound Production MP1
Educational program
Music and Sound design TMOLG 120 higher education credits
Supervisors
Examiners
Available from: 2020-04-23 Created: 2020-04-23 Last updated: 2025-02-18Bibliographically approved

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fulltext(715 kB)831 downloads
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Type fulltextMimetype application/pdf

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CiteExportLink to record
Permanent link

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Cite
Citation style
  • apa
  • ieee
  • modern-language-association-8th-edition
  • vancouver
  • Other style
More styles
Language
  • de-DE
  • en-GB
  • en-US
  • fi-FI
  • nn-NO
  • nn-NB
  • sv-SE
  • Other locale
More languages
Output format
  • html
  • text
  • asciidoc
  • rtf